EDGE New York City

A frothy, over-the-top confection that wins you over with its sass and makes stars out of Michael J. Willett and pop-singer JoJo.

Leave it to Katherine Brooks’ "Face 2 Face" for a loving push to get to the heart of life’s journey. It could be that all Brooks needs is some love and a switch-up of "medicate" to "meditate."

This film is so amped up it could fly right into the fourth, fifth, and sixth dimensions, were they available. As it is, "Gatsby" has to content itself with a magnificent foray into 3D.

A new feature film about Thor Heyerdal’s crossing of the Pacific ocean on a primitive balsa wood raft paints a complex picture of the man; but the dramatic maritime passage feels more than a little forced.

Writer-director Justin Zackham’s American remake of "Mon frère se marie" sets the bar low at ankle level and then digs itself a cozy little trench in the mud and proceeds to wallow for 90 excruciating minutes.

Michael Bay brings together a team of scumbag personal trainers to kidnap one of their clients, kill him and steal his fortune. Unfortunately for them, he survives.

The film is replete with suggestions of surveillance, whether through hidden cameras or the always-staring eye of society at large: Its norms, its easy categorizations. What’s harder to parse is the man behind a beard or beneath a turban.

"In the House" is Francois Ozon in top form. The prolific French director turns out some forgettable fare along the way, but the faithful know not to write him off because he always comes back with something that packs a punch.

A failed attempt to tell the story of Jackie Robinson by giving him the Lifetime movie treatment.

The movie touted as "The Most Terrifying Film You Will Ever Experience" is met with a resounding "meh."